Difference between revisions of "Max: Crew & Creative"
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| − | Behind the wonder that is Max Headroom | + | <div class="lede">Behind the wonder that is Max Headroom are the many wonders of the creative team that brought him to life, and the skilled show crews that made him reality.</div> |
==Writing & Development== | ==Writing & Development== | ||
| − | + | This section will be far more detailed, in time, but here's the brief bio of each contributor. | |
| − | + | ||
| − | + | ====George Stone==== | |
| − | + | George Stone is Max Headroom's creator in almost every respect. A marketing executive and science fiction writer who worked for Chrysalis Productions, he was tasked by Wagg, Morton and Jankel to write the overall back story of this new creation. A vast number of details of Max, his genesis and his world came from Stone's original draft. However, the overall story and setting was considered too complex to film for the small screen, so many elements were eliminated or toned down for the telefilm script. | |
| − | + | ||
| − | + | I had the great pleasure of meeting George a few years ago in London, and he's everything you'd think the creator of something as bizarre and wonderful as Max Headroom might be. He appears in a couple of the more recent retrospectives and documentaries. | |
| + | |||
| + | ====Peter Wagg==== | ||
| + | The entire concept that became Max Headroom began with Peter Wagg, a producer for Chrysalis who was asked by Channel Four to help create an attention-getting music videos show to attract a younger audience. Aside from Matt Frewer, Wagg is the only creative person who is connected with every single appearance of Max. That, and being the person who chose George Stone to write the backstory, puts Wagg in the honorable role of being Max's godfather. | ||
| + | |||
| + | ====Rocky Morton & Annabel Jankel==== | ||
| + | Creator, godfather... now on to Max's parents. Rocky Morton and Annabel Jankel were well-known directors of music videos and commercials, and considered by Wagg to be the perfect team to bring this bizarre new concept to the screen with as much of Stone's crazy vision as possible. Both were involved with all the British shows, from the telefilm through the third season of the talk/music show. | ||
| + | |||
| + | Other than Max, the pair is perhaps best known for directing Super Mario Brothers (1993). Morton also directed the 2007 return of Max for the Channel Four digital commercials. | ||
| + | |||
| + | ====Steve Roberts==== | ||
| + | Steve Roberts was a writer and screenwriter who turned Stone's background draft and the production team's limitations and ideas into the script for the telefilm (as well as the illustrated novelization). Roberts also wrote for the second season music and talk show, and eventually landed as executive story editor and lead writer for the ABC series. He moved up to co-producer for the second season. | ||
| + | |||
| + | ====Paul Owen & David Hansen==== | ||
| + | Owen and Hansen were dialogue writers for the telefilm and all the music and talk shows. They contributed to the dialogue of the ABC series as well. Along with a half-dozen other writers who wrote for one or two shows each, they (in collaboration with Matt Frewer) were largely responsible for Max's dialogue, riffs, witticisms and humor. They co-wrote the other Max book, ''Max Headroom's Guide to Life''. | ||
| + | |||
| + | For the fourth season of the talk show, the Cinemax six-show extension, Owen and Hansen had additional help from a writing team of no less than Larry David (later to co-create ''Seinfeld'') and Charlie Rubin, who has a long history with successful TV comedy. | ||
| + | |||
| + | ====Michael Cassutt==== | ||
| + | Mike Cassutt joined the Max-o-verse with the ABC series, acting as writer and story editor. He moved up to executive story editor in the second season. | ||
| + | |||
| + | In my opinion, Steve Roberts wrote the best series episodes using existing material and background, which is not surprising given that he crafted it all from raw input. However, I think Cassutt wrote the best episodes that explored new ground, especially the brilliant and prescient ''Security Systems''. | ||
==Visual & Effects== | ==Visual & Effects== | ||
| Line 18: | Line 39: | ||
Credits are listed in show order. '''All credits have been vetted against the finished telefilm.''' | Credits are listed in show order. '''All credits have been vetted against the finished telefilm.''' | ||
| − | {| class=" | + | {| class="t_crewlist" |
! Crew | ! Crew | ||
! Credit | ! Credit | ||
| Line 208: | Line 229: | ||
| Produced by Chrysalis for Channel Four | | Produced by Chrysalis for Channel Four | ||
|} | |} | ||
| + | |||
| + | {{GoToTopBar}} | ||
===The Max Headroom Show Crew, Season 1=== | ===The Max Headroom Show Crew, Season 1=== | ||
The 13-episode premiere season video show with Max as VJ. | The 13-episode premiere season video show with Max as VJ. | ||
| − | ''Listing taken from [[Episode CH4.1.13]]; may or may not be accurate for the prior shows.'' | + | ''Listing taken from [[Episode CH4.1.13]]; may or may not be accurate for the prior shows. This index cannot be completed until those episodes become available for review.'' |
| − | {| class=" | + | {| class="t_crewlist" |
! Crew | ! Crew | ||
! Credit | ! Credit | ||
| Line 257: | Line 280: | ||
'''All credits have been vetted against the episode titles.''' | '''All credits have been vetted against the episode titles.''' | ||
| − | {| class=" | + | {| class="t_crewlist" |
! rowspan="2" | Crew | ! rowspan="2" | Crew | ||
! rowspan="2" | Role | ! rowspan="2" | Role | ||
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Annabel Jankel | Annabel Jankel | ||
| Created by | | Created by | ||
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| − | | class=" | + | | class="textcenter" | ◉ |
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| Roo Aiken | | Roo Aiken | ||
| rowspan="2" | Editor | | rowspan="2" | Editor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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|- | |- | ||
| Paul Whiting | | Paul Whiting | ||
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| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
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| Post Sound | | Post Sound | ||
| Videosonics | | Videosonics | ||
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| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
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| Coast to Coast | | Coast to Coast | ||
| Special Make-Up FX | | Special Make-Up FX | ||
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|- | |- | ||
| Paul Owen | | Paul Owen | ||
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David Hansen | David Hansen | ||
| Dialogue | | Dialogue | ||
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|- | |- | ||
| Tim John | | Tim John | ||
| Additional Dialogue | | Additional Dialogue | ||
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| Made at | | Made at | ||
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| Rocky Morton | | Rocky Morton | ||
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Annabel Jankel | Annabel Jankel | ||
| Directed by | | Directed by | ||
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|- | |- | ||
| Peter Wagg | | Peter Wagg | ||
| Producer | | Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| − | | class=" | + | | class="textcenter" | ◉ |
|} | |} | ||
| + | |||
| + | {{GoToTopBar}} | ||
===The Max Headroom Show Crew, Season 3=== | ===The Max Headroom Show Crew, Season 3=== | ||
| Line 382: | Line 407: | ||
The 10-episode "talk show set" video show with guests. | The 10-episode "talk show set" video show with guests. | ||
| − | ''Listings taken from Episodes CH4.3.1- | + | ''Listings taken from Episodes CH4.3.1-9; may or may not be accurate for the following shows.'' |
| − | {| class=" | + | {| class="t_crewlist" |
! rowspan="2" | Crew | ! rowspan="2" | Crew | ||
! rowspan="2" | Role | ! rowspan="2" | Role | ||
| − | ! colspan=" | + | ! colspan="11" | Episodes |
|- | |- | ||
! width="25px" | [[Episode CH4.3.1 | 3.1 ]] | ! width="25px" | [[Episode CH4.3.1 | 3.1 ]] | ||
| Line 398: | Line 423: | ||
! width="25px" | [[Episode CH4.3.9 | 3.9 ]] | ! width="25px" | [[Episode CH4.3.9 | 3.9 ]] | ||
! width="25px" | [[Episode CH4.3.10 | 3.10 ]] | ! width="25px" | [[Episode CH4.3.10 | 3.10 ]] | ||
| + | ! width="25px" | [[Episode CH4.3.11: "Max Headroom's Giant Christmas Turkey" | Xmas]] | ||
|- | |- | ||
| Ros & John Hubbard | | Ros & John Hubbard | ||
| Casting | | Casting | ||
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| Paul Owen | | Paul Owen | ||
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David Hansen | David Hansen | ||
| Written by | | Written by | ||
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| Rocky Morton | | Rocky Morton | ||
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Annabel Jankel | Annabel Jankel | ||
| Created by | | Created by | ||
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| Steve Roberts | | Steve Roberts | ||
| − | | rowspan=" | + | | rowspan="6" | Additional Material |
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| Jim Pullin | | Jim Pullin | ||
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| James Hendrie | | James Hendrie | ||
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| + | |- | ||
| + | | Bob Sinfield | ||
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| + | |- | ||
| + | | Andrea Solomons | ||
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| Matt Frewer | | Matt Frewer | ||
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|- | |- | ||
| Peter Richardson | | Peter Richardson | ||
| Production Manager | | Production Manager | ||
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|- | |- | ||
| Cheryll Gunn | | Cheryll Gunn | ||
| Production Assistant | | Production Assistant | ||
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|- | |- | ||
| Anne Gilchrist | | Anne Gilchrist | ||
| Research | | Research | ||
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|- | |- | ||
| Lysette Gauna | | Lysette Gauna | ||
| Production Secretary | | Production Secretary | ||
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|- | |- | ||
| Coast to Coast | | Coast to Coast | ||
| Special Make-Up FX | | Special Make-Up FX | ||
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|- | |- | ||
| Ewart TV | | Ewart TV | ||
| rowspan="2" | Facilities | | rowspan="2" | Facilities | ||
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| Videosonics | | Videosonics | ||
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| + | |- | ||
| + | | Snapper Films | ||
| + | | rowspan="2" | Titles | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◉<sup>1</sup> | ||
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|- | |- | ||
| Matt Forrest | | Matt Forrest | ||
Art of Noise | Art of Noise | ||
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| − | | Editor | + | | Editor |
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| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | |- |
| + | | rowspan="2" | Carlton TV Editor | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | ◎ | ||
| + | | class="textcenter" | ◎ | ||
| + | |- | ||
| + | | Jel Chater | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | ◉ | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | | ||
| + | | class="textcenter" | ◎ | ||
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| Mike Sutcliffe | | Mike Sutcliffe | ||
| Lighting Director | | Lighting Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| John Beard | | John Beard | ||
| Production Design | | Production Design | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| David G. Hiller | | David G. Hiller | ||
| Director | | Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| Peter Wagg | | Peter Wagg | ||
| Producer | | Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| − | |||
| Tim John | | Tim John | ||
| Additional Dialogue | | Additional Dialogue | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| | | | ||
| This has been a Cinemax Presentation | | This has been a Cinemax Presentation | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎<sup>2</sup> |
| − | | class=" | + | | class="textcenter" | ◎<sup>2</sup> |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎<sup>2</sup> |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| | | | ||
| A Chrysalis Production | | A Chrysalis Production | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
| + | |- | ||
| + | | class="tfootnote" colspan="13" | 1 - Credit appears on the UK version but not the US. Different title cards are used. | ||
| + | 2 - No US version of this show available to verify this credit. | ||
|} | |} | ||
| + | |||
| + | {{GoToTopBar}} | ||
===The Original Max Talking Headroom Show Crew=== | ===The Original Max Talking Headroom Show Crew=== | ||
The final six-episode talk/interview/video show produced for Cinemax. (The vastly extended credits alone should clue the viewer that this was a US-produced show...) | The final six-episode talk/interview/video show produced for Cinemax. (The vastly extended credits alone should clue the viewer that this was a US-produced show...) | ||
| − | ''Based on Episode CMX.1.2 credits only; may not be accurate for other episodes.'' | + | ''Based on Episode CMX.1.1-2 credits only, so far; may not be accurate for other episodes.'' |
| − | {| class=" | + | {| class="t_crewlist" |
! rowspan="2" | Crew | ! rowspan="2" | Crew | ||
! rowspan="2" | Role | ! rowspan="2" | Role | ||
| Line 723: | Line 839: | ||
| Robert Morton | | Robert Morton | ||
| Producer | | Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Joshua White | | Joshua White | ||
| Directed by | | Directed by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| David Hanson [''sic''] | | David Hanson [''sic''] | ||
| Line 743: | Line 859: | ||
Paul Owen | Paul Owen | ||
| Writers/Segment Producers | | Writers/Segment Producers | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Larry David | | Larry David | ||
| Line 754: | Line 870: | ||
Charlie Rubin | Charlie Rubin | ||
| Writers | | Writers | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Matt Frewer | | Matt Frewer | ||
| Additional Material by | | Additional Material by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| John Fisher | | John Fisher | ||
| Associate Producer/Production Manager | | Associate Producer/Production Manager | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Jeremy Conway | | Jeremy Conway | ||
| Art Director | | Art Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Coast to Coast | | Coast to Coast | ||
| Max Headroom prosthetic effects created by | | Max Headroom prosthetic effects created by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Laurie Zaks | | Laurie Zaks | ||
| Talent Consultant | | Talent Consultant | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| + | | class="textcenter" | ◎ | ||
|- | |- | ||
| Gail Davis | | Gail Davis | ||
| Head Talent Coordinator | | Head Talent Coordinator | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Elizabeth Warner | | Elizabeth Warner | ||
| Talent Coordinator | | Talent Coordinator | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Dora McManus | | Dora McManus | ||
| Production Coordinator | | Production Coordinator | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Chris Shriver | | Chris Shriver | ||
| Associate Designer | | Associate Designer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| − | | | + | | Maureen Nappi |
| Video Graphic Design Director | | Video Graphic Design Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Joan F. Wood | | Joan F. Wood | ||
| Associate Director | | Associate Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Electa Brown | | Electa Brown | ||
| Line 864: | Line 981: | ||
Ric E. Anderson | Ric E. Anderson | ||
| Stage Managers | | Stage Managers | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Kati Meister | | Kati Meister | ||
| Film Research | | Film Research | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Jodi Ross | | Jodi Ross | ||
| Writer's Assistant | | Writer's Assistant | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Susan Markowitz | | Susan Markowitz | ||
| Control Room Production Assistant | | Control Room Production Assistant | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Frank Smiley | | Frank Smiley | ||
| Production Assistant | | Production Assistant | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Liza Hall | | Liza Hall | ||
| Production Secretary | | Production Secretary | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| George Themelis | | George Themelis | ||
| Production Auditor | | Production Auditor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Danny Franks | | Danny Franks | ||
| Lighting Designer | | Lighting Designer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Paul Stiegelbauer | | Paul Stiegelbauer | ||
| Technical Supervisor | | Technical Supervisor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Heino Ripp | | Heino Ripp | ||
| Technical Director | | Technical Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Billy Steinberg | | Billy Steinberg | ||
| Video | | Video | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Michael Shoskes | | Michael Shoskes | ||
| Line 967: | Line 1,084: | ||
Suzanne Sousa | Suzanne Sousa | ||
| Audio | | Audio | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| David Driscoll | | David Driscoll | ||
| Line 984: | Line 1,101: | ||
Declan Quinn | Declan Quinn | ||
| Cameras | | Cameras | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Allen Buchner | | Allen Buchner | ||
| Line 997: | Line 1,114: | ||
Harvey Gold | Harvey Gold | ||
| Videotape | | Videotape | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Michael Cunningham | | Michael Cunningham | ||
| Line 1,008: | Line 1,125: | ||
Miguel LaBoy | Miguel LaBoy | ||
| Utility | | Utility | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| James Mancini | | James Mancini | ||
| Videotape Editor | | Videotape Editor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| John Wiggins | | John Wiggins | ||
| Post Audio | | Post Audio | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Marcus Miller | | Marcus Miller | ||
| Line 1,037: | Line 1,154: | ||
David Sanborn | David Sanborn | ||
| Theme Music Written and Perfomed by | | Theme Music Written and Perfomed by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Michael Bramon | | Michael Bramon | ||
| Line 1,048: | Line 1,165: | ||
Susan Feingold | Susan Feingold | ||
| Additional Music Produced by | | Additional Music Produced by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| A. Terzi Staging | | A. Terzi Staging | ||
| Staging | | Staging | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| The Shelburne Murray Hill | | The Shelburne Murray Hill | ||
| Hotel Accommodations by | | Hotel Accommodations by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Charlie Spataro's A.V. Workshop | | Charlie Spataro's A.V. Workshop | ||
| Video Wall by | | Video Wall by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| HBO Studio Productions | | HBO Studio Productions | ||
| Line 1,086: | Line 1,203: | ||
Unitel Video | Unitel Video | ||
| Technical Facilities | | Technical Facilities | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| Peter Wagg | | Peter Wagg | ||
| Executive Producer | | Executive Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|- | |- | ||
| | | | ||
| This Has Been a Cinemax Presentation | | This Has Been a Cinemax Presentation | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
| − | | class=" | + | | class="textcenter" | ◎ |
|} | |} | ||
| + | |||
| + | {{GoToTopBar}} | ||
===ABC Series Season 1 Crew=== | ===ABC Series Season 1 Crew=== | ||
| Line 1,117: | Line 1,236: | ||
Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well. | Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well. | ||
| − | {| class=" | + | {| class="t_crewlist" |
! rowspan="2" | Crew | ! rowspan="2" | Crew | ||
! rowspan="2" | Role | ! rowspan="2" | Role | ||
| Line 1,131: | Line 1,250: | ||
| Philip DeGuere | | Philip DeGuere | ||
| Executive Producer | | Executive Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,141: | Line 1,260: | ||
| Supervising Production Supervisor | | Supervising Production Supervisor | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| rowspan="2" | Peter Wagg | | rowspan="2" | Peter Wagg | ||
| Producer | | Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,158: | Line 1,277: | ||
| Executive Producer | | Executive Producer | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| rowspan="2" | Brian Frankish | | rowspan="2" | Brian Frankish | ||
| Line Producer | | Line Producer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,175: | Line 1,294: | ||
| Producer | | Producer | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Steve Roberts | | Steve Roberts | ||
| Executive Story Editor | | Executive Story Editor | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Michael Cassutt | | Michael Cassutt | ||
| Story Editor | | Story Editor | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Bruno George | | Bruno George | ||
| Associate Producer| | | Associate Producer| | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Cory Lerios | | Cory Lerios | ||
| Music by | | Music by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Barbara Miller | | Barbara Miller | ||
| Executive in Charge of Casting | | Executive in Charge of Casting | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Irene Mariano CSA | | Irene Mariano CSA | ||
| Casting | | Casting | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Coast to Coast | | Coast to Coast | ||
| Special Max Headroom Prosthetic FX Created by | | Special Max Headroom Prosthetic FX Created by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Robert Stevens | | Robert Stevens | ||
| rowspan="2" | Director of Photography | | rowspan="2" | Director of Photography | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,230: | Line 1,349: | ||
| Paul Goldsmith | | Paul Goldsmith | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Richard B. Lewis | | Richard B. Lewis | ||
| Production Designer | | Production Designer | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Bernard P. Cutler | | Bernard P. Cutler | ||
| rowspan="2" | Art Director | | rowspan="2" | Art Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,251: | Line 1,370: | ||
| Adrian Gorton | | Adrian Gorton | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
|- | |- | ||
| Edward Salier | | Edward Salier | ||
| rowspan="4" | Edited by | | rowspan="4" | Edited by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,268: | Line 1,387: | ||
| Jay Scherberth | | Jay Scherberth | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Philip J. Sgriccia | | Philip J. Sgriccia | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Mark Helfrich | | Mark Helfrich | ||
| Line 1,286: | Line 1,405: | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| John C. Broderick | | John C. Broderick | ||
| rowspan="2" | Unit Production Manager | | rowspan="2" | Unit Production Manager | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,303: | Line 1,422: | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| James M. Freitag | | James M. Freitag | ||
| rowspan="2" | 1st Assistant Director | | rowspan="2" | 1st Assistant Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
|- | |- | ||
| Line 1,319: | Line 1,438: | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Douglas F. Dean III | | Douglas F. Dean III | ||
| rowspan="2" | 2nd Assistant Director | | rowspan="2" | 2nd Assistant Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,335: | Line 1,454: | ||
| Harry V. Bring | | Harry V. Bring | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Jean-Pierre Dorleac | | Jean-Pierre Dorleac | ||
| Costume Designer | | Costume Designer | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| Line 1,352: | Line 1,471: | ||
| Leslie Frankenheimer | | Leslie Frankenheimer | ||
| Set Decorator | | Set Decorator | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Michael Wilson | | Michael Wilson | ||
| Line 1,358: | Line 1,477: | ||
Charles Eguia | Charles Eguia | ||
| Property Masters | | Property Masters | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Philip Cozzo | | Philip Cozzo | ||
| Line 1,364: | Line 1,483: | ||
Donna M. Marcione | Donna M. Marcione | ||
| Costumers | | Costumers | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Katalin Elek | | Katalin Elek | ||
| Line 1,370: | Line 1,489: | ||
Zoltan Elek | Zoltan Elek | ||
| Makeup | | Makeup | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Janice Alexander | | Janice Alexander | ||
| Hair Stylist | | Hair Stylist | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Bernie Laramie | | Bernie Laramie | ||
| rowspan="2" | Post Production Supervisor | | rowspan="2" | Post Production Supervisor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
|- | |- | ||
| Line 1,391: | Line 1,510: | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Joseph Kenworthy CAS | | Joseph Kenworthy CAS | ||
| Production Sound Mixer | | Production Sound Mixer | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Doug Grindstaff | | Doug Grindstaff | ||
| Sound Manager | | Sound Manager | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Richard Corwin | | Richard Corwin | ||
| Supervising Sound Editor | | Supervising Sound Editor | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Todd-AO Glen Glenn | | Todd-AO Glen Glenn | ||
| Post Production Sound | | Post Production Sound | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Richard Berres | | Richard Berres | ||
| Music Supervisor | | Music Supervisor | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Dick Bernstein | | Dick Bernstein | ||
| Music Editor | | Music Editor | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Kimberley Pike | | Kimberley Pike | ||
| Visual Effects Supervisor | | Visual Effects Supervisor | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Rod Lord | | Rod Lord | ||
| Line 1,427: | Line 1,546: | ||
Peter Tupy | Peter Tupy | ||
| Computer Graphics by | | Computer Graphics by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Video Image | | Video Image | ||
| Video Graphic Displays by | | Video Graphic Displays by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| The Post Group | | The Post Group | ||
| Post Production and Opticals by | | Post Production and Opticals by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Image Engineering | | Image Engineering | ||
| Miniature City by | | Miniature City by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Xenon Productions | | Xenon Productions | ||
| Model Photography by | | Model Photography by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| David Hansen and Paul Owen | | David Hansen and Paul Owen | ||
| Special Thanks from Max Headroom to | | Special Thanks from Max Headroom to | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Panavision | | Panavision | ||
| | | | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Metro Color | | Metro Color | ||
| Color by | | Color by | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| A Chrysalis Lakeside Production | | A Chrysalis Lakeside Production | ||
| | | | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|- | |- | ||
| Lorimar Telepictures | | Lorimar Telepictures | ||
| In Association with | | In Association with | ||
| − | | colspan="6" class=" | + | | colspan="6" class="textcenter" | ◉ |
|} | |} | ||
| + | |||
| + | {{GoToTopBar}} | ||
===ABC Series Season 2 Crew=== | ===ABC Series Season 2 Crew=== | ||
| Line 1,471: | Line 1,592: | ||
Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well. | Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well. | ||
| − | {| class=" | + | {| class="t_crewlist" |
! rowspan="2" | Crew | ! rowspan="2" | Crew | ||
! rowspan="2" | Role | ! rowspan="2" | Role | ||
| Line 1,487: | Line 1,608: | ||
| Brian Frankish | | Brian Frankish | ||
| Producer | | Producer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Andrew Adelson | | Andrew Adelson | ||
| Supervising Producer | | Supervising Producer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Peter Wagg | | Peter Wagg | ||
| Executive Producer | | Executive Producer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Steve Roberts | | Steve Roberts | ||
| Co-Producer | | Co-Producer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Michael Cassutt | | Michael Cassutt | ||
| Executive Story Editor | | Executive Story Editor | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| David Hanson & Paul Owen | | David Hanson & Paul Owen | ||
| Story Editors | | Story Editors | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Arthur Sellers | | Arthur Sellers | ||
| rowspan="2"| Story Editor | | rowspan="2"| Story Editor | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Adrian Hein | | Adrian Hein | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Larina Joan Adamson | | Larina Joan Adamson | ||
| Associate Producer | | Associate Producer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| rowspan="2" | Michael Hoenig | | rowspan="2" | Michael Hoenig | ||
| Main Title Theme by | | Main Title Theme by | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| + | |||
| | | | ||
| | | | ||
| Line 1,529: | Line 1,651: | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| rowspan="2" | Music by | | rowspan="2" | Music by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
|- | |- | ||
| Chuck Wild | | Chuck Wild | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
| | | | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| Barbara Miller CSA | | Barbara Miller CSA | ||
| Executive in Charge of Casting | | Executive in Charge of Casting | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Melinda Gartzman CSA | | Melinda Gartzman CSA | ||
| Casting Director | | Casting Director | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Carl Olsen | | Carl Olsen | ||
| rowspan="2" | Unit Production Manager | | rowspan="2" | Unit Production Manager | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
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| Scott Easton | | Scott Easton | ||
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| − | | class=" | + | | class="textcenter" | ◉ |
|- | |- | ||
| James M. Freitag | | James M. Freitag | ||
| rowspan="2" | 1st Assistant Director | | rowspan="2" | 1st Assistant Director | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| | | | ||
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| − | | class=" | + | | class="textcenter" | ◉ |
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| − | | class=" | + | | class="textcenter" | ◉ |
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|- | |- | ||
| Craig West | | Craig West | ||
| | | | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
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| Line 1,603: | Line 1,725: | ||
| Harry V. Bring | | Harry V. Bring | ||
| 2nd Assistant Director | | 2nd Assistant Director | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Paul Goldsmith | | Paul Goldsmith | ||
| Director of Photography | | Director of Photography | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Richard B. Lewis | | Richard B. Lewis | ||
| Production Designer | | Production Designer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Francis J. Pezza | | Francis J. Pezza | ||
| Art Director | | Art Director | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Leslie Frankenheimer | | Leslie Frankenheimer | ||
| Set Decorator | | Set Decorator | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Philip J. Sgricca | | Philip J. Sgricca | ||
| rowspan="7" | Edited by | | rowspan="7" | Edited by | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| Andew L. Cohen | | Andew L. Cohen | ||
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| Philip J. Sgricca | | Philip J. Sgricca | ||
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|- | |- | ||
| Dennis C. Vejar | | Dennis C. Vejar | ||
| Line 1,710: | Line 1,832: | ||
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|- | |- | ||
| Coast to Coast | | Coast to Coast | ||
| Special Max Headroom Prosthetic FX Created by | | Special Max Headroom Prosthetic FX Created by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Bernie Laramie | | Bernie Laramie | ||
| Supervisor of Post Production | | Supervisor of Post Production | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Richard Corwin | | Richard Corwin | ||
| rowspan="3" | Supervising Sound Editor | | rowspan="3" | Supervising Sound Editor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
| − | | class=" | + | | class="textcenter" | ◉ |
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|- | |- | ||
| Bill Fannon | | Bill Fannon | ||
| rowspan="2"| Property Master | | rowspan="2"| Property Master | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| Michael Wilson | | Michael Wilson | ||
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|- | |- | ||
| Bobbie Read | | Bobbie Read | ||
| Costume Designer | | Costume Designer | ||
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Donna M. Marcione | Donna M. Marcione | ||
| Costumers | | Costumers | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Katalin Elek | | Katalin Elek | ||
| rowspan="2" | Makeup | | rowspan="2" | Makeup | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Zoltan Elek | | Zoltan Elek | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| Janice Alexander | | Janice Alexander | ||
| rowspan="2" | Hair Stylist | | rowspan="2" | Hair Stylist | ||
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| Hazel Catmull | | Hazel Catmull | ||
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|- | |- | ||
| Augie Hess | | Augie Hess | ||
| Visual Effects Supervisor | | Visual Effects Supervisor | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Fred Raimondi | | Fred Raimondi | ||
| rowspan="4" | Visual Effects Editor | | rowspan="4" | Visual Effects Editor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| Peter Sternlicht | | Peter Sternlicht | ||
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|- | |- | ||
| Bill Stewart | | Bill Stewart | ||
| Line 1,864: | Line 1,986: | ||
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|- | |- | ||
| Video Image | | Video Image | ||
| Additional Graphics | | Additional Graphics | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Marty Bresin | | Marty Bresin | ||
| Special Effects | | Special Effects | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Brian Roberts | | Brian Roberts | ||
| Playback Editor | | Playback Editor | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Joseph Kenworthy CAS | | Joseph Kenworthy CAS | ||
| Production Sound Mixer | | Production Sound Mixer | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Doug Grindstaff | | Doug Grindstaff | ||
| Sound Manager | | Sound Manager | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Tamara Johnson CAS | | Tamara Johnson CAS | ||
| rowspan="5" | Rerecording Mixer | | rowspan="5" | Rerecording Mixer | ||
| | | | ||
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| Roy Pahlman | | Roy Pahlman | ||
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|- | |- | ||
| John Walker | | John Walker | ||
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| Richard Berres | | Richard Berres | ||
| Music Supervisor | | Music Supervisor | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Scott Stambler | | Scott Stambler | ||
| rowspan="2" | Music Editor | | rowspan="2" | Music Editor | ||
| − | | class=" | + | | class="textcenter" | ◉ |
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| Virginia Ellsworth | | Virginia Ellsworth | ||
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|- | |- | ||
| The Post Group | | The Post Group | ||
| Graphics and Post Production Services | | Graphics and Post Production Services | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Klasky/Csupo Inc. | | Klasky/Csupo Inc. | ||
| Visual Design Consultants | | Visual Design Consultants | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Xenon Productions | | Xenon Productions | ||
| Images Supplied by | | Images Supplied by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Commodore Business Machines, Amiga Division | | Commodore Business Machines, Amiga Division | ||
| Production Computer Equipment Provided by | | Production Computer Equipment Provided by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| All Effects Co. | | All Effects Co. | ||
| Special Effects Provided by | | Special Effects Provided by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Fairlight Instruments | | Fairlight Instruments | ||
| Video Effects Equipment Provided by | | Video Effects Equipment Provided by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Panavision | | Panavision | ||
| | | | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Metro Color | | Metro Color | ||
| Color by | | Color by | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| R. Robert Rosenbaum | | R. Robert Rosenbaum | ||
| Executive in Charge of Production | | Executive in Charge of Production | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| A Chrysalis Lakeside Production | | A Chrysalis Lakeside Production | ||
| | | | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|- | |- | ||
| Lorimar Telepictures | | Lorimar Telepictures | ||
| In Association with | | In Association with | ||
| − | | colspan="8" class=" | + | | colspan="8" class="textcenter" | ◉ |
|} | |} | ||
| + | {{GoToTopBar}} | ||
Latest revision as of 12:50, 17 January 2016
Behind the wonder that is Max Headroom are the many wonders of the creative team that brought him to life, and the skilled show crews that made him reality.
Writing & Development
This section will be far more detailed, in time, but here's the brief bio of each contributor.
George Stone
George Stone is Max Headroom's creator in almost every respect. A marketing executive and science fiction writer who worked for Chrysalis Productions, he was tasked by Wagg, Morton and Jankel to write the overall back story of this new creation. A vast number of details of Max, his genesis and his world came from Stone's original draft. However, the overall story and setting was considered too complex to film for the small screen, so many elements were eliminated or toned down for the telefilm script.
I had the great pleasure of meeting George a few years ago in London, and he's everything you'd think the creator of something as bizarre and wonderful as Max Headroom might be. He appears in a couple of the more recent retrospectives and documentaries.
Peter Wagg
The entire concept that became Max Headroom began with Peter Wagg, a producer for Chrysalis who was asked by Channel Four to help create an attention-getting music videos show to attract a younger audience. Aside from Matt Frewer, Wagg is the only creative person who is connected with every single appearance of Max. That, and being the person who chose George Stone to write the backstory, puts Wagg in the honorable role of being Max's godfather.
Rocky Morton & Annabel Jankel
Creator, godfather... now on to Max's parents. Rocky Morton and Annabel Jankel were well-known directors of music videos and commercials, and considered by Wagg to be the perfect team to bring this bizarre new concept to the screen with as much of Stone's crazy vision as possible. Both were involved with all the British shows, from the telefilm through the third season of the talk/music show.
Other than Max, the pair is perhaps best known for directing Super Mario Brothers (1993). Morton also directed the 2007 return of Max for the Channel Four digital commercials.
Steve Roberts
Steve Roberts was a writer and screenwriter who turned Stone's background draft and the production team's limitations and ideas into the script for the telefilm (as well as the illustrated novelization). Roberts also wrote for the second season music and talk show, and eventually landed as executive story editor and lead writer for the ABC series. He moved up to co-producer for the second season.
Paul Owen & David Hansen
Owen and Hansen were dialogue writers for the telefilm and all the music and talk shows. They contributed to the dialogue of the ABC series as well. Along with a half-dozen other writers who wrote for one or two shows each, they (in collaboration with Matt Frewer) were largely responsible for Max's dialogue, riffs, witticisms and humor. They co-wrote the other Max book, Max Headroom's Guide to Life.
For the fourth season of the talk show, the Cinemax six-show extension, Owen and Hansen had additional help from a writing team of no less than Larry David (later to co-create Seinfeld) and Charlie Rubin, who has a long history with successful TV comedy.
Michael Cassutt
Mike Cassutt joined the Max-o-verse with the ABC series, acting as writer and story editor. He moved up to executive story editor in the second season.
In my opinion, Steve Roberts wrote the best series episodes using existing material and background, which is not surprising given that he crafted it all from raw input. However, I think Cassutt wrote the best episodes that explored new ground, especially the brilliant and prescient Security Systems.
Visual & Effects
- John Humphries
- Rod Lord
Complete Crew Listings
UK Telefilm Crew
Credits are listed in show order. All credits have been vetted against the finished telefilm.
| Crew | Credit |
|---|---|
| Ellis, Terry | Executive Producer |
| Chris Griffin | Line Producer |
| The Hubbard Company | Casting |
| Midge Ure and Chris Cross | Music by |
| Michael Bradsell | Film Editor |
| Maurice Cain | Production Designer |
| Phil Meheux BSC | Director of Photography |
| Steve Roberts | Screenplay by |
| George Stone
Rocky Morton Annabel Jankel |
From an original idea by |
| Peter Wagg | Produced by |
| Rocky Morton
Annabel Jankel |
Directed by |
| Redmond Morris | Production Manager |
| Chris Rose | 1st Assistant Director |
| Trevor Brooker | Camera Operator |
| Ken Weston | Sound Mixer |
| Howard Lanning GBFE | Dubbing Editor |
| Michael Baldwin | Costume Designer |
| Colin Wilson | Script Consultant |
| Paul Owen & David Hansen | Max Dialogue |
| Alan Williams | Art Director |
| Val Wolstenholm | Set Dresser |
| Linda Gregory | Production Accountant |
| Brian Read | Production Buyer |
| Richard King | Dubbing Mixer |
| John Dodds | 2nd Assistant Director |
| Terry Bamber | 3rd Assistant Director |
| Francine Brown | Continuity |
| Andrew Parker | 1st Assistant Editor |
| Paul Conway | Assistant Dubbing Editor |
| Rik Walton | Music Engineer |
| Andrew Gillman | VT Playback Editor |
| Brian Cooke | Stills Photographer |
| Sandra Shepherd | Make-Up |
| Ross Carver | Hairdresser |
| Leon Hamme | Assistant Hairdresser |
| Coast to Coast | Special Make-Up |
| Peter Turner | Focus Puller |
| Ralph Ramsden | Clapper Loader |
| Harry Eckford | Camera Grip |
| Richard Taylor | Video Cameraman |
| Steve O'Brien | Boom Operator |
| Don Brown | Sound Maintenance |
| Marina Drecker | Wardrobe Mistress |
| Raymond Harris | Wardrobe Assistant |
| Clare St. John | Production Coordinator |
| Nicholas Hicks-Beach | Researcher |
| Gerry Kennedy | Production Runner |
| Ian Scoones | Special Effects |
| Richard Monkhouse | Electronic Effects |
| Rod Lord | Computer Effects |
| Peter Tupy | Graphics |
| Mike Pia | Video Playback Supervisor |
| Charlie Simmons | Construction Manager |
| John Mills | Prop Master |
| Terry Potter | Gaffer |
| Colour by Technicolor | |
| Titles by National Screen | |
| Andy Park and George Stone | With Thanks to |
| Filmed on location at at Lee International Film Studios, Wembly, Middlesex | |
| Produced by Chrysalis for Channel Four |
The Max Headroom Show Crew, Season 1
The 13-episode premiere season video show with Max as VJ.
Listing taken from Episode CH4.1.13; may or may not be accurate for the prior shows. This index cannot be completed until those episodes become available for review.
| Crew | Credit |
|---|---|
| Rocky Morton
Annabel Jankel |
Created by |
| Roo Aiken
Paul Whiting |
Editors |
| Post Sound | Videosonics |
| Coast to Coast | Special Make-Up FX |
| Paul Owen
David Hansen |
Dialogue |
| Tim John | Additional Dialogue |
| Carlton TV | Made at |
| Rocky Morton
Annabel Jankel |
Directed by |
| Peter Wagg | Producer |
The Max Headroom Show Crew, Season 2
The 6-episode "bar room set" video show with guests.
All credits have been vetted against the episode titles.
| Crew | Role | Episodes | |||||
|---|---|---|---|---|---|---|---|
| 2.1 | 2.2 | 2.3 | 2.4 | 2.5 | 2.6 | ||
| Rocky Morton
Annabel Jankel |
Created by | ◉ | ◉ | ||||
| George Stone
Rocky Morton Annabel Jankel |
Based on an Original Idea by | ◉ | |||||
| Roo Aiken | Editor | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ |
| Paul Whiting | ◉ | ◉ | |||||
| Post Sound | Videosonics | ◉ | ◉ | ||||
| Coast to Coast | Special Make-Up FX | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ |
| Paul Owen
David Hansen |
Dialogue | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ |
| Tim John | Additional Dialogue | ◉ | ◉ | ||||
| Carlton TV | Made at | ◉ | ◉ | ||||
| Rocky Morton
Annabel Jankel |
Directed by | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ |
| Peter Wagg | Producer | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ |
The Max Headroom Show Crew, Season 3
The 10-episode "talk show set" video show with guests.
Listings taken from Episodes CH4.3.1-9; may or may not be accurate for the following shows.
| Crew | Role | Episodes | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 3.1 | 3.2 | 3.3 | 3.4 | 3.5 | 3.6 | 3.7 | 3.8 | 3.9 | 3.10 | Xmas | ||
| Ros & John Hubbard | Casting | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | ||
| Paul Owen
David Hansen |
Written by | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Rocky Morton
Annabel Jankel |
Created by | ◉ | ◎ | ◎ | ||||||||
| Steve Roberts | Additional Material | ◉ | ◎ | ◎ | ||||||||
| Jim Pullin | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |||||
| James Hendrie | ◉ | ◉ | ◉ | ◎ | ◎ | |||||||
| Bob Sinfield | ◉ | ◎ | ◎ | |||||||||
| Andrea Solomons | ◉ | ◎ | ◎ | |||||||||
| Matt Frewer | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |
| Peter Richardson | Production Manager | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Cheryll Gunn | Production Assistant | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Anne Gilchrist | Research | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |
| Lysette Gauna | Production Secretary | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Coast to Coast | Special Make-Up FX | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Ewart TV | Facilities | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |
| Videosonics | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |||
| Snapper Films | Titles | ◉ | ◉1 | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |||
| Matt Forrest
Art of Noise |
◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |
| Roo Aiken | Editor | ◉ | ◉ | ◎ | ◎ | |||||||
| Carlton TV Editor | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | ||||
| Jel Chater | ◉ | ◎ | ◎ | |||||||||
| Mike Sutcliffe | Lighting Director | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| John Beard | Production Design | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| David G. Hiller | Director | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Peter Wagg | Producer | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ |
| Tim John | Additional Dialogue | ◉ | ◎ | ◎ | ||||||||
| This has been a Cinemax Presentation | ◉ | ◉ | ◉ | ◉ | ◎2 | ◎2 | ◉ | ◉ | ◎2 | ◎ | ◎ | |
| A Chrysalis Production | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◎ | ◎ | |
| 1 - Credit appears on the UK version but not the US. Different title cards are used.
2 - No US version of this show available to verify this credit. | ||||||||||||
The Original Max Talking Headroom Show Crew
The final six-episode talk/interview/video show produced for Cinemax. (The vastly extended credits alone should clue the viewer that this was a US-produced show...)
Based on Episode CMX.1.1-2 credits only, so far; may not be accurate for other episodes.
| Crew | Role | Episodes | |||||
|---|---|---|---|---|---|---|---|
| 1.1 | 1.2 | 1.3 | 1.4 | 1.5 | 1.6 | ||
| Robert Morton | Producer | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Joshua White | Directed by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| David Hanson [sic]
Paul Owen |
Writers/Segment Producers | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Larry David
Charlie Rubin |
Writers | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Matt Frewer | Additional Material by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| John Fisher | Associate Producer/Production Manager | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Jeremy Conway | Art Director | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Coast to Coast | Max Headroom prosthetic effects created by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Laurie Zaks | Talent Consultant | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Gail Davis | Head Talent Coordinator | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Elizabeth Warner | Talent Coordinator | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Dora McManus | Production Coordinator | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Chris Shriver | Associate Designer | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Maureen Nappi | Video Graphic Design Director | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Joan F. Wood | Associate Director | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Electa Brown
Ric E. Anderson |
Stage Managers | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Kati Meister | Film Research | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Jodi Ross | Writer's Assistant | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Susan Markowitz | Control Room Production Assistant | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Frank Smiley | Production Assistant | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Liza Hall | Production Secretary | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| George Themelis | Production Auditor | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Danny Franks | Lighting Designer | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Paul Stiegelbauer | Technical Supervisor | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Heino Ripp | Technical Director | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Billy Steinberg | Video | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Michael Shoskes
Andrew Strauber Suzanne Sousa |
Audio | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| David Driscoll
James J. Miller Michael Sheehan Richard S. Zinn Jr Declan Quinn |
Cameras | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Allen Buchner
Robert York Harvey Gold |
Videotape | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Michael Cunningham
Miguel LaBoy |
Utility | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| James Mancini | Videotape Editor | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| John Wiggins | Post Audio | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Marcus Miller
David Sanborn |
Theme Music Written and Perfomed by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Michael Bramon
Susan Feingold |
Additional Music Produced by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| A. Terzi Staging | Staging | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| The Shelburne Murray Hill | Hotel Accommodations by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Charlie Spataro's A.V. Workshop | Video Wall by | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| HBO Studio Productions
Unitel Video |
Technical Facilities | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| Peter Wagg | Executive Producer | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ |
| This Has Been a Cinemax Presentation | ◉ | ◉ | ◎ | ◎ | ◎ | ◎ | |
ABC Series Season 1 Crew
Credits are listed in show order, with duplicate credits ranked by show air date. All credits have been vetted against the finished episodes.
Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well.
| Crew | Role | Episodes | |||||
|---|---|---|---|---|---|---|---|
| 1.1 | 1.2 | 1.3 | 1.4 | 1.5 | 1.6 | ||
| Philip DeGuere | Executive Producer | ◉ | |||||
| Edward O. Denault | Supervising Production Supervisor | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Peter Wagg | Producer | ◉ | |||||
| Executive Producer | ◉ | ◉ | ◉ | ◉ | ◉ | ||
| Brian Frankish | Line Producer | ◉ | |||||
| Producer | ◉ | ◉ | ◉ | ◉ | ◉ | ||
| Steve Roberts | Executive Story Editor | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Michael Cassutt | Story Editor | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Bruno George | ◉ | ||||||
| Cory Lerios | Music by | ◉ | |||||
| Barbara Miller | Executive in Charge of Casting | ◉ | |||||
| Irene Mariano CSA | Casting | ◉ | |||||
| Coast to Coast | Special Max Headroom Prosthetic FX Created by | ◉ | |||||
| Robert Stevens | Director of Photography | ◉ | ◉ | ||||
| Paul Goldsmith | ◉ | ◉ | ◉ | ◉ | |||
| Richard B. Lewis | Production Designer | ◉ | |||||
| Bernard P. Cutler | Art Director | ◉ | ◉ | ||||
| Adrian Gorton | ◉ | ◉ | ◉ | ||||
| Edward Salier | Edited by | ◉ | ◉ | ||||
| Jay Scherberth | ◉ | ◉ | |||||
| Philip J. Sgriccia | ◉ | ◉ | ◉ | ||||
| Mark Helfrich | ◉ | ◉ | |||||
| John C. Broderick | Unit Production Manager | ◉ | ◉ | ◉ | |||
| Carl Olsen | ◉ | ◉ | ◉ | ||||
| James M. Freitag | 1st Assistant Director | ◉ | ◉ | ◉ | |||
| Craig West | ◉ | ◉ | ◉ | ||||
| Douglas F. Dean III | 2nd Assistant Director | ◉ | |||||
| Harry V. Bring | ◉ | ◉ | ◉ | ◉ | ◉ | ||
| Jean-Pierre Dorleac | Costume Designer | ◉ | |||||
| Leslie Frankenheimer | Set Decorator | ◉ | |||||
| Michael Wilson
Charles Eguia |
Property Masters | ◉ | |||||
| Philip Cozzo
Donna M. Marcione |
Costumers | ◉ | |||||
| Katalin Elek
Zoltan Elek |
Makeup | ◉ | |||||
| Janice Alexander | Hair Stylist | ◉ | |||||
| Bernie Laramie | Post Production Supervisor | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Augie Hess | ◉ | ||||||
| Joseph Kenworthy CAS | Production Sound Mixer | ◉ | |||||
| Doug Grindstaff | Sound Manager | ◉ | |||||
| Richard Corwin | Supervising Sound Editor | ◉ | |||||
| Todd-AO Glen Glenn | Post Production Sound | ◉ | |||||
| Richard Berres | Music Supervisor | ◉ | |||||
| Dick Bernstein | Music Editor | ◉ | |||||
| Kimberley Pike | Visual Effects Supervisor | ◉ | |||||
| Rod Lord
Computer FX Peter Tupy |
Computer Graphics by | ◉ | |||||
| Video Image | Video Graphic Displays by | ◉ | |||||
| The Post Group | Post Production and Opticals by | ◉ | |||||
| Image Engineering | Miniature City by | ◉ | |||||
| Xenon Productions | Model Photography by | ◉ | |||||
| David Hansen and Paul Owen | Special Thanks from Max Headroom to | ◉ | |||||
| Panavision | ◉ | ||||||
| Metro Color | Color by | ◉ | |||||
| A Chrysalis Lakeside Production | ◉ | ||||||
| Lorimar Telepictures | In Association with | ◉ | |||||
ABC Series Season 2 Crew
Credits are listed in show order, with duplicate credits ranked by show air date. All credits have been vetted against the finished episodes.
Writing, directing and editing credits will be found in each episode's listing, although directing and editing credits are listed here as well.
| Crew | Role | Episodes | |||||||
|---|---|---|---|---|---|---|---|---|---|
| 2.1 | 2.2 | 2.3 | 2.4 | 2.5 | 2.6 | 2.7 | 2.8 | ||
| Brian Frankish | Producer | ◉ | |||||||
| Andrew Adelson | Supervising Producer | ◉ | |||||||
| Peter Wagg | Executive Producer | ◉ | |||||||
| Steve Roberts | Co-Producer | ◉ | |||||||
| Michael Cassutt | Executive Story Editor | ◉ | |||||||
| David Hanson & Paul Owen | Story Editors | ◉ | |||||||
| Arthur Sellers | Story Editor | ◉ | |||||||
| Adrian Hein | ◉ | ||||||||
| Larina Joan Adamson | Associate Producer | ◉ | |||||||
| Michael Hoenig | Main Title Theme by | ◉ | ◉ | ||||||
| Music by | ◉ | ◉ | ◉ | ◉ | ◉ | ||||
| Chuck Wild | ◉ | ◉ | ◉ | ||||||
| Barbara Miller CSA | Executive in Charge of Casting | ◉ | |||||||
| Melinda Gartzman CSA | Casting Director | ◉ | |||||||
| Carl Olsen | Unit Production Manager | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ||
| Scott Easton | ◉ | ◉ | ◉ | ||||||
| James M. Freitag | 1st Assistant Director | ◉ | ◉ | ◉ | ◉ | ||||
| Craig West | ◉ | ◉ | ◉ | ◉ | |||||
| Harry V. Bring | 2nd Assistant Director | ◉ | |||||||
| Paul Goldsmith | Director of Photography | ◉ | |||||||
| Richard B. Lewis | Production Designer | ◉ | |||||||
| Francis J. Pezza | Art Director | ◉ | |||||||
| Leslie Frankenheimer | Set Decorator | ◉ | |||||||
| Philip J. Sgricca | Edited by | ◉ | ◉ | ||||||
| Andew L. Cohen | ◉ | ◉ | |||||||
| Edward Brennan | ◉ | ||||||||
| Irving C. Rosenblum ACE | ◉ | ||||||||
| Dennis C. Vejar | ◉ | ◉ | |||||||
| Sean-Michael Connor | ◉ | ||||||||
| Harry Kaye | ◉ | ||||||||
| Philip J. Sgricca | Supervising Editor | ◉ | ◉ | ◉ | ◉ | ||||
| Dennis C. Vejar | ◉ | ||||||||
| Coast to Coast | Special Max Headroom Prosthetic FX Created by | ◉ | |||||||
| Bernie Laramie | Supervisor of Post Production | ◉ | |||||||
| Richard Corwin | Supervising Sound Editor | ◉ | ◉ | ◉ | ◉ | ||||
| Tony Garber MPSE | ◉ | ||||||||
| Kevin (Gene) Corso | ◉ | ◉ | |||||||
| Bill Fannon | Property Master | ◉ | ◉ | ◉ | ◉ | ◉ | |||
| Michael Wilson | ◉ | ◉ | ◉ | ||||||
| Bobbie Read | Costume Designer | ◉ | ◉ | ||||||
| Philip Cozzo
Donna M. Marcione |
Costumers | ◉ | |||||||
| Katalin Elek | Makeup | ◉ | |||||||
| Zoltan Elek | ◉ | ◉ | ◉ | ◉ | ◉ | ||||
| Janice Alexander | Hair Stylist | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Hazel Catmull | ◉ | ||||||||
| Augie Hess | Visual Effects Supervisor | ◉ | |||||||
| Fred Raimondi | Visual Effects Editor | ◉ | ◉ | ||||||
| Peter Sternlicht | ◉ | ◉ | |||||||
| Patrick Clancey | ◉ | ◉ | |||||||
| Bill Stewart | ◉ | ◉ | |||||||
| Video Image | Additional Graphics | ◉ | |||||||
| Marty Bresin | Special Effects | ◉ | |||||||
| Brian Roberts | Playback Editor | ◉ | |||||||
| Joseph Kenworthy CAS | Production Sound Mixer | ◉ | |||||||
| Doug Grindstaff | Sound Manager | ◉ | |||||||
| Tamara Johnson CAS | Rerecording Mixer | ◉ | ◉ | ||||||
| Roy Pahlman | ◉ | ||||||||
| Peter Cole | ◉ | ◉ | |||||||
| John Walker | ◉ | ◉ | |||||||
| Greg Teall | ◉ | ||||||||
| Richard Berres | Music Supervisor | ◉ | |||||||
| Scott Stambler | Music Editor | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | ◉ | |
| Virginia Ellsworth | ◉ | ||||||||
| The Post Group | Graphics and Post Production Services | ◉ | |||||||
| Klasky/Csupo Inc. | Visual Design Consultants | ◉ | |||||||
| Xenon Productions | Images Supplied by | ◉ | |||||||
| Commodore Business Machines, Amiga Division | Production Computer Equipment Provided by | ◉ | |||||||
| All Effects Co. | Special Effects Provided by | ◉ | |||||||
| Fairlight Instruments | Video Effects Equipment Provided by | ◉ | |||||||
| Panavision | ◉ | ||||||||
| Metro Color | Color by | ◉ | |||||||
| R. Robert Rosenbaum | Executive in Charge of Production | ◉ | |||||||
| A Chrysalis Lakeside Production | ◉ | ||||||||
| Lorimar Telepictures | In Association with | ◉ | |||||||
